Monday, November 24, 2008

Ballet Slipper Pattern Cake

the Darwin - the evening of November 24

MONDAY 'November 24, at 21 : Alessandro Perissinotto, writer, examines the rise of rational investigator figure in Edgar Allan Poe, coinciding with the release of the Origin of species.


Speech by Alessandro Perissinotto:

We start from the back cover of "The Origin of Species" .

There are three key words, and a fourth is visible in the background, as a goal. The three keywords are observation - hypothesis - intuition , while the goal towards which all three, the ultimate goal of observing, and intuition is the dell'ipotizzare search for truth, not truth itself, but the search for it. The truth is acquired static, given once and for all, finding it is dynamic and is subject to constant change, and this is really in line with the thinking of Darwin.

Search for the truth through observation, formulation of hypotheses and intuition, this is the knot that binds two wires apparently distant, that Darwinian evolutionism and that of crime fiction. It is to analyze this node This evening we are here.


In humans, for reasons more or less unfathomable, like determining the starting point of everything, we like the dates of birth. 1859 with the publication of "The Origin of Species," was born evolution. 1841 with the publication of "The Murders in the Rue Morgue" created the detective story. And the dates they give us the illusion that things happen in a very precise point in space-time, an illusion against which Darwin himself would put us on guard. Of course, the memorable moments are the points of the summit, but because they lead to those leadership was required a preparatory phase.


Once you reach the top then, that the work raises the echo resounds throughout society, forms of thought, penetrating modes of thinking and habits of the people. Until, at some point, thought, action and imagination of the entire company complies to the point where innovation made famous from single, dramatic works, the works themselves, if extracted from their historical context , seem obvious, it seems impossible that it was necessary to write to establish a truth so obvious.

Our whole way of thinking has been and is directly or indirectly influenced by this book, I have taken the words of the back cover, to reaffirm that if any child today, more or less successfully, may declare that man descended from monkeys, it is because there was Darwin. Similarly, it is now obvious that we need to do objective research and surveys to ascertain the truth in cases of murder, but the time when Poe writes, this procedure is innovative.

then proceeds with an assertion that is perhaps less obvious than it seems: If you are here today to celebrate Darwin, it is because before Darwin, it was created in European society a cultural background that made it fertile ground on which L ' source rooted species. One of the last works of Darwin is titled " The formation of humus through the action of worms " here, I would take some time to puzzle those writers who have worked to create this small worm humus.

I'm talking about writers of riddles, because if it is true that the detective created by Edgar Alan Poe, it is also true that others before him, wrote and illustrated the investigation so-called "deductive method" that in a moment we will call abductive . If Dante has never named the planes in his Comedy is simply because no one has ever seen one, if Voltaire can not be ascribed to the detective genre, it is simply because, in his day, there was no modern police. The Surete in Paris, the first real police, was founded only in 1811, but Voltaire, in the first half of the eighteenth century, with its Zadig, shines a spotlight on the triad observation - hypothesis - insight that characterize the human and scientific adventure Darwin.

In a passage from his autobiography, Darwin even welcomes this because of his poor health, having moved away from the distractions of entertainment, it drew ever closer observation of nature, which is the true source of happiness. As Darwin, Zadig also seeks happiness in the observation of nature and as Darwin, but a century earlier, try to understand what he is not allowed to see, looking at what his eyes can peer over and reasoning. But the reasoning is deductive Zadig and Darwin?

Try to understand so a deduction in accordance with the American philosopher Charlie Sanders Peirce, an almost contemporary of Darwin.

"A deduction is an argument whose Interpretant represents it as belonging to a general class of possible arguments precisely similar to each other, such that experience in the long run, most of those whose premises are true will be true conclusions "

Here's an example of deduction: if I put a lot in 10 yellow balls, those that will color the ball out of the bag?

Rule: all the balls in this bag are yellow.
Case: This ball is from this bag
Results: This ball, although I do not see it, is yellow.

But now we do another example: A
literary character here has forgotten his magnifying glass, the pipe cleaners and a syringe.
Which character is it?
Answer: Sherlock Holmes.

We have observed, we have formulated hypotheses, we guessed.

But we have not made any deduction, because Contrary to the balls in the bag, all of which were yellow, not all those leaving syringes, brushes for pipe and magnifying glasses are Sherlock Holmes. Yet, the answer was also the most plausible. So we had an abduction.

"abduction is a method to make a general prediction without any positive assurance that it will be valid or in a particular case or generally. His justification is that it is the only possible hope to regulate our future conduct rationally, and that the induction from past experience is strongly encouraged us to hope that it will be successful in the future "

Zadig, Auguste Dupin, Sherlock Holmes, Hercule Poirot, Roulettabille not allege, nor throw a guess: speculate on the solid basis of observations as precise and accurate reasoning. CSI investigators, process-if scenarios before determining the exact dynamics of the murder, and that we see in flashbacks, Dr. House writes on the blackboard the differential diagnosis. The same thing is
Darwin.

I read a passage of still Peirce:
"Abduction is the process of formation of explanatory hypotheses. It is the only logical operation which introduces a new idea, as the induction does nothing but determine a value and the deduction develops the consequences necessary for a pure hypothesis. Deduction proves that something must be; abduction suggests that something may be. "

Like any good detective, Darwin was never assertive, use the conditional" could ". Darwin knows that the advancement of science arises from the introduction of new ideas in the form of hypotheses. The deduction does not add anything new: you already know a priori that all the balls were yellow. The assumptions used to investigate to ascertain something that is not yet known, and are used to scratch the strength of ready-made truth. The dogmatic truth of biblical creationism, the inescapable truth of the confession extracted under torture.

The method of torture is not abductive, is, at most, deductive: the confessions of the tortured test the thesis of the torturer. So the detective story is also the son of the reflections on the crimes and penalties Cesare Beccaria .

And with this we see that the little worms that have formed the bedrock of the Origin of Species, set off from afar. Darwin is a debtor of all those who worked the doubt rather than certainty and among them there are also the perpetrators of crime. Who, moreover, were not slow to pay him homage: in 1887, Emilio De Marchi writes The priest's hat, considered the world's first novel Italian yellow. Well, in this work, which began as a popular soap opera, De Marchi outlines a protagonist who is called "Darwinian materialist" and do not hesitate to mention "Charles Darwin". Here is the beautiful flower grew humus of the novel is itself a conundrum for other police humus and above for other reflections. For the pursuit of truth, beyond the misinformation, the dogmas of the things where you have to believe, is always present.

Related Reading:

HoldenArt
Corso Dante 118
10126 Torino
tel. 0112304007
mail: info@holdenart.it

Wednesday, November 19, 2008

What Is The Price Bmw Gina

Darwin: the evening of November 10, 2008

MONDAY 'November 10, at 21: Pievani Telmo, essayist and lecturer Philosophy of Science, describes the gestation of the great theory of evolution.






reading:

  • Charles Darwin: Notebooks, 2008, Laterza
  • Pievani T., The theory of evolution. News of a scientific revolution, Il Mulino, Bologna, 2006
  • T. Pievani, Who's afraid of Darwin?, Ibis Editions, Como-Pavia, 2006; with Capanna E., Redi CA
  • Pievani T., Creation without God , Einaudi, Torino, 2006
  • Pievani T., In defense of Darwin, Bompiani, Milano, 2007

HoldenArt
Corso Dante 118

10126 Torino tel. 0112304007
mail: info@holdenart.it

Monday, November 17, 2008

Working Source For Pokemon Roms

Show Language Language 17/11/2008-31/01/2009


LANGUAGE SPOKEN AGAINST: COLLABORATIVE EXHIBITION AND ROUTES OF TELLING ASSET

IN COLLABORATION WITH
University of Torino, Faculty of Mathematical, Physical and Natural Sciences, Department of Animal and Human Biology, University Museum of Anthropology Turin, Holden Art Forms of Narrative, brokers and mediators of cultural heritage.


Event: language against language. A collaborative exhibition at
: Anthropology and Ethnography Museum, University of Torino, via Accademia Albertina 17 Torino
Period: from 17 November 2008 to January 31, 2009
Hours: visits by appointment at meetings with authors tel. 011/6704551 or 011/6704546, Monday to Saturday from 9.00 am to 17.00

The Museum of Anthropology and Ethnography University Turin, in collaboration with the Piedmont Center for African Studies and Art Holden, has language against language.
A collaborative exhibition, a pilot project conducted within the European MAP for ID - Museums as Places for Intecultural Dialogue with the coordination and support of the City of Turin. Based on a participatory planning process of language against language will harness the ethnographic collections of the Museum through an experimental process of social inclusion, active citizenship and cultural empowerment.

At the end of a training course for mediators of intercultural heritage - the "heart" button on the project - Mediators and mediators from Chad, Italy, Morocco, Democratic Republic of Congo, Romania, Senegal, the first and second generation of immigrants, have designed and implemented a multi-vocal setting in collaboration with the representatives of the museum and an architect museographer.

The initiative is an innovative museological experiment for three reasons: the architect has been involved in all phases of design museographer playing the triple role of "facilitator" and "translator" in a process of sharing knowledge; The exhibition was conceived jointly narrated paths of dialogue, maintained and conducted by brokers and by museum educators; the story was intended as an instrument of mediation in the linguistic sense but as a sharing of knowledge and points of view is subjective and institutional creation or strengthening of a social link between museums and public commitment to a stimulus-cultural involvement of new citizens .

In practical terms, every broker and mediator has chosen one or more items from the Museum's ethnographic collections based on their cultural and emotional feeling. E 'Were you that is free / to relate to that material evidence - not necessarily from his own country or produced in its cultural context - that have raised more than any other ties with its own history of life, past and present, or with embedded memories and knowledge, passed down from generation to generation and background / heritage essential to the migratory path. The choice of the objects did so after the inception phase of the routes narrated asset which was also attended by the contacts of the Museum.

The objects were then displayed in glass cases that are "autobiographical facilities" where they found space assets also subjective - and often intimate domestic - mediators and mediators: souvenirs, photographs, clothes, books ...
The design of the assembly and design courses have thus narrated to each other cross, finding the pivot point in the narrative to proceed in a coordinated manner and at the same time independently. The autobiographical approach has also allowed us to introduce the experienced staff, including migration, and "return" items to the public and the Museum as examples of appropriate and re-appropriate stories vita.Per Finally, the language of the museum - institutional, scientific, didactic - the language of dialogue with mediators and mediators - autobiographical, evocative, emotional - of a wealth of performers that are not meant to establish any truth, but to offer interpretations.
Through the narration, objects in the collections Ethnographic Museum - sometimes in dialogue, too, with personal items - they become the protagonists of stories that, in view of fragments of lives lived and different points of view, turn out to carry a plurality of meanings in a cultural perspective that presents a challenge and opportunity for the Museum.
University Museum of Anthropology and Ethnography
Via Accademia Albertina 17 - Torino
for information from 0116704551 to 0116704546
http://www.museounito.it/antropologia/default.html

Thursday, October 9, 2008

Kabuki Brush To Apply Liquid Foundation

against the Darwin: Stories a researcher wanted

Continue after the spring meetings, the story of Darwin's investigations.



Jacopo Masini, narrator, and Marco Pirrello Mariano Fubini, with the help and the intervention of contemporary scholars and authors, will try to unravel the source of the thought of Charles Darwin, a man who has raised himself in a multitude of thinkers. And above all, a scientist who has devoted his life to looking for some deep scientific realities and human resources. Surveys and studies that have made him a sought-thinker, in the double meaning of the term. As emerges from his biography, his writings and the debate alive about his work: namely, that which is spoken in "The Darwin".
I cntenuti detailed meetings are still being finalized, the program (provisional) is as follows:
Warning: The topics of the evening were modified from the original program.

MONDAY 'October 27, at 21:
Some facts brief biography of Darwin, staged by James Masini, Mariano Pirrello, Marco Fubini, with the help of puppets Gianluca Di Matteo.

MONDAY 'November 10, at 21:
Pievani Telmo, essayist and professor of philosophy of science, tells the gestation of the great theory of evolution.

MONDAY 'November 24, at 21:
Alessandro Perissinotto, writer, examines the rise of rational investigator figure in Edgar Allan Poe, curiously coinciding with the release of the Origin of species.

MONDAY 'Dec. 1, at 21:
Michele Luzzatto, science fiction editor at Einaudi, the story (and stories) of evolution in Italy.

MONDAY 'Dec. 15, at 21:
Michele Marangi, film critic, and Gabriel Beccaria, director of Tuttoscienze, venture into the thinking of Darwin and analyze the impact of the imaginary contemporary.

Darwin and teas will be offered by the Independent Subalpine
College of Arts Pharmaceutical (CISAF)

Regional Museum of Natural Science via Giolitti 36, Torino
Free admission
Information:
HoldenArt tel. 011 2304007
Regional Museum of Natural Sciences tel. 0114326354

Guinea Hutch Blue Prints

Sacred Mountain of Domodossola and Ghiffa - September 21, 2008 - Photo Gallery

Domododossola and Sacro Monte Sacro Monte di Ghiffa: A Tale of Water and Fire

Stories and traditions: the guided tour of the Holy Mount Calvary led by Gregorian singers, to discover the secrets of fire and glass to the Sacred Mountain of Ghiffa.
Stories and traditions of the past, the magic of glass that can resonate.
Readings:
Alessandro Baricco: Castelli di anger "
Giulio Mozzi " Glass "(contained in the collection" This is the Garden ")
Nathaniel Hawthorne "Holocaust of World " (contained in "Tales")

       

Buffet Crampon R13 Prestige

Sacro Monte di Varallo - June 28, 2008 - Photo Gallery

June 28, 2008 - Around the Sacred Mountains

Sacro Monte di Varallo: Walk in music

A guided tour and a musical relay race between the chapels of the Sacred Mountain, to discover the secrets and stories of the great masters who have lived and worked in Varallo.
The mystery of the place revealed through music